A Hall for Hull with ‘Trois Points de Vue’ – a joint commission from The Royal Institute of British Architects (RIBA) and Hull UK City of Culture 2017 – was officially unveiled to the public on the evening of Monday 2nd October. The monumental temporary installation has transformed Trinity Square with sixteen galvanized steel columns arranged in a grid formation in front of Hull Minster to form a new ‘outdoor room’ for the city.
Chile-based architects Pezo von Ellrichshausen have collaborated with Swiss artist Felice Varini to create the ambitious structure, which responds to the historic heart of Hull and will remain in place until 11 November 2017. It has been commissioned to encourage local people to see their city in new and memorable ways and to become a focal point for national and international tourists.
The installation provides visitors with a range of different vistas of the square and experiences as they enter each of the six-metre-high columns, which are open to the sky. Perforations across the columns’ frosted-like steel skin create a delicate interplay of light and shadow across the interiors of each inhabited space. Visual and physical contradictions merge as visitors first encounter a series of imposing, static steel columns from a distance, but as they move closer, the perforations create as feeling of lightness.
The playful optical illusions continue with the artwork applied by international acclaimed artist Felice Varini. Through his practice of op-art, Varini has created three hand-drawn, delicate artworks across the columns that distort and redefine the otherwise rigid geometry of their solid arrangement, challenging perceptions of perspective and scale in this particular public setting. Each artwork aligns from a different viewpoint across Trinity Square, encouraging visitors to meander through the columns, leaving the view of the central axis of the church’s nave untouched.
Although both Pezo von Ellrichshausen and Felice Varini have previously exhibited in London, this is the first time they have developed an artwork jointly. The practice of Pezo von Ellrichshausen that oscillates between art and architecture, embedded in land-art and often located in rural conditions, forms a complementary relationship with Varini’s op-art practice with the majority of his artworks situated within and upon the urban fabric. This combination here serves to redefine and activate multiple perspectives of a historically-charged public square through a series of experiences as visitors walk around the installation.
Architects Mauricio Pezo & Sofia von Ellrichshausen said: “This installation forms a temporary hypostyle room without a roof, with massive but almost immaterial columns barely open to the sky and to the immediate surroundings. The empty stone-paved square is challenged by the size and disposition of a regular open grid and each column (two metres wide and six metres high) is in fact an inhabitable room with a single entrance pointed to a different direction. The silent vibration of glimmering lights and shadows, together with the very indifference of the grid, is altered by three delicate motives drawn in the air by Swiss artist Felice Varini, which can only be seen towards precise vanishing points.”
Marie Bak Mortensen, RIBA Head of Exhibitions, said: “Pezo von Ellrichshausen and Felice Varini have developed an exceptional proposal; one where Varini’s abstracted art applied to architectural space aligns with Pezo von Ellrichshausen’s practice of monumental architecture – carefully considered to the scale of Hull Minster and its surrounding square. A Hall for Hull effortlessly fulfils the commission’s aim to push the boundaries of how we observe art, architecture and public spaces and to facilitate unique experiences for residents and newcomers to the city. I look forward to seeing this installation unfold in-situ as RIBA takes its programme outside its dedicated gallery spaces in London and Liverpool.”
Sam Hunt, Executive Producer, Hull 2017, said: “The Hull 2017 Look Up programme is about making people see and experience this amazing city in new and exciting ways. A Hall for Hull certainly does that, opening up fresh vistas across Trinity Square. It is helping kick off our fourth season and we hope that it will encourage even more people, both residents and visitors, to head to this key destination in the heart of the city.”
The Vicar of Hull Minster, the Rev Canon Dr Neal Barnes, said: “This striking, interactive art installation, which is already getting people talking, will be a very different sight and experience and is sure to bring thousands of visitors into the heart of the Old Town. We’re certainly looking forward to welcoming visitors drawn by this spectacular installation through the doors of the Minster to enjoy more magnificent sights and see the exciting transformation taking place under our development project. A Hall for Hull illustrates the opportunities presented by the creation of a stunning, uninterrupted public space in Trinity Square, reuniting the church and the city. Trinity Square is now the perfect place for a work of this scale which promotes Hull as an ambitious, creative city, emboldened by City of Culture.”
The project, supported by the British Council, has been developed through an invited competition for an architectural and artistic collaboration, with a brief to create a temporary intervention designed specifically for the square. Hull 2017 and RIBA have been working closely with Hull Minster to develop the project, which is helping launch the fourth season of Hull’s City of Culture year, entitled ‘Tell the World’.
Pezo von Ellrichshausen and Felice Varini were chosen from a pool of eighteen outstanding, emerging and established architects practising in the UK and internationally. Trinity Square has benefited from Hull City Council’s £25 million public realm improvements programme. This latest transformation builds on the drive to bring new life to this historic part of the city.
A Hall for Hull is sponsored by Hull-based Wedge Galvanizing Group, and is part of Look Up’, a Hull 2017 curated programme of temporary installations in public places and spaces around the city.
1:54 Contemporary African Art Fair has announced the galleries exhibiting in the fourth edition of the London fair, taking place in Somerset House from 6 – 9 October. 1:54 will showcase carefully selected and diverse presentations by 40 of the world’s leading galleries specialising in contemporary African art.
The 2016 edition of the fair will feature 40 galleries from 18 countries: Côte d’Ivoire; Denmark; Egypt; Ethiopia; France; Germany; Ghana; Italy; Kenya; Morocco; Nigeria; Portugal; South Africa; Spain; Tunisia; United Kingdom; United States and Zimbabwe.
17 galleries will exhibit at the London fair for the first time in 2016: 50 Golborn; Addis Fine Art; AGorgi Contemporary Art Gallery; Barnard Gallery; Caroline Pagès Gallery; Galeria 111; Circle Art Gallery; Eric Hussenot Gallery; Gallery 1957; Gallery of African Art (GAFRA); Jenkins Johnson Gallery; L’Atelier 21; Officine dell’Immagine; Sulger-Buel Lovell; TAFETA; Tyburn Gallery; and Village Unhu.
Over the past four years 1:54 has established itself as a leading voice in the global discussion on contemporary African art, and this year will spotlight the work of over 110 African and African Diasporan artists, working in various different mediums and coming from a unique spread of geographical backgrounds comprising 30 countries: Algeria; Benin; Cameroon; Côte d’Ivoire; Democratic Republic of Congo; Ethiopia; France; Germany; Ghana; Italy; Japan; Kenya; Madagascar; Malawi; Mali; Morocco; Mozambique; Nigeria; Russia; Senegal; Sierra Leone; South Africa; Sudan; Switzerland; Togo; Tunisia; Uganda; United Kingdom; United States and Zimbabwe.
This year 1:54 will again be accompanied by FORUM, the fair’s extensive talks and events program, including lectures, film screenings and panel discussions with international curators, artists and art professionals. FORUM is curated by Koyo Kouoh, Artistic Director of RAW Material Company, Dakar.
Full List of Participating Galleries:
50 Golborn (London, United Kingdom)
Addis Fine Art (Addis Ababa, Ethiopia)
AFRONOVA GALLERY (Johannesburg, South Africa)
AGorgi Gallery (Tunis, Tunisia)
APALAZZOGALLERY (Brescia, Italy)
Art Twenty One (Lagos, Nigeria)
ARTCO Gallery (Aachen, Germany)
ARTLabAfrica (Nairobi, Kenya)
Axis Gallery (New York, United States)
Barnard Gallery (Cape Town, South Africa)
Caroline Pagès Gallery (Lisbon, Portugal)http://www.1-54.com
CIRCA Gallery (London, United Kingdom)
Circle Art Gallery (Nairobi, Kenya)
Eric Hussenot Gallery (Paris, France)
Galeri Mikael Anderson (Copenhagen, Denmark)
Galeria 111 (Lisbon, Portugal)
Galerie Anne De Villepoix (Paris, France)
Galerie Cécile Fakhoury (Abidjan, Côte d’Ivoire)
Gallery 1957 (Accra, Ghana)
Gallery of African Art (GAFRA) (London, United Kingdom)
GVCC (Casablanca, Morocco)
Jack Bell Gallery (London, United Kingdom)
Jenkins Johnson Gallery (New York/San Francisco, United States)
L’Atelier 21 (Casablanca, Morocco)
Magnin-A (Paris, France)
Mariane Ibrahim Gallery (Seattle, United States)
Mashrabia Gallery of Contemporary Art (Cairo, Egypt)
October Gallery (London, United Kingdom)
Officine dell’Immagine (Milan, Italy)
Primo Marella Gallery (Milan, Italy)
Sabrina Amrani Gallery (Madrid, Spain)
Selma Feriani Gallery (Tunis, Tunisia)
(S)ITOR / Sitor Senghor (Paris, France)
Sulger-Buel Lovell (London, United Kingdom)
TAFETA (London, United Kingdom)
Tiwani Contemporary (London, United Kingdom)
Tyburn Gallery (London, United Kingdom)
Vigo Gallery (London, United Kingdom)
Village Unhu (Harare, Zimbabwe)
Voice Gallery (Marrakech, Morocco)
For more information
1:54 Contemporary African Art Fair
Date: 6–9 October 2016
Venue: Somerset House, London
Header image: Adejoke Tugbiyele (USA/Nigeria), Homeless Hungry Homo, 2014. Palm stems, Yarn, perforated metal, African mask, one dollar bills, 76 x 152 x 60 cm. Photo: Jonathan Greet