Main Image: Winner Architecture Drawing Prize 2019- City in a box: paradox memories, Anton Markus Pasing, remote-controlled
In partnership with Make Architects and Sir John Soane’s Museum, the World Architecture Festival (WAF) has announced the call for entries for the fourth edition of The Architecture Drawing Prize. Launched in 2017, the prize is conceived to celebrate and showcase the art and skill of architectural drawing.
In the spirit of many great architects of the past, from Palladio and John Soane to Le Corbusier and Cedric Price, The Architecture Drawing Prize is an ideal platform for reflecting on and exploring how drawing continues to advance the art of architecture today. It embraces the creative use of digital tools and digitally produced renderings, while recognising the enduring importance of hand drawing. The organisers invite entries of all types and forms: from technical or construction drawings to cutaway or perspective views – and anything in between.
Entries are welcomed by architects, designers and especially students from around the world in the following categories: hand-drawn, digital, and hybrid, combining the two. This year also sees the introduction of a special prize focused on the global lockdown during the Covid-19 pandemic which will be open to all entrants for one of the above categories. The lockdown prize will be focused on a drawing completed during lockdown or a drawing relating to the changes that Covid-19 will bring to architecture. Submissions across the three categories will be evaluated on the basis of their technical skill, originality in approach and ability to convey an architectural idea. Drawings can be entirely speculative or relate to real projects.
This year’s judges are Artists Ben Langlands & Nikki Bell; Gary Simmons, main board director at William Hare Group; Ken Shuttleworth, founder of Make Architects; Lily Jencks, founder of LilyJencksStudio and JencksSquared; Louise Stewart, curator at Sir John Soane’s Museum; Narinder Sagoo, senior partner at Foster + Partners; Artist, Pablo Bronstein and Paul Finch, programme director of the World Architecture Festival.
Paul Finch, programme director of the World Architecture Festival, comments: “The universal language of drawing has a special significance in current circumstances and we look forward to celebrating excellence once again.”
The entry deadline for all submissions is 2nd October 2020. The winners and shortlist will be decided in late October, and then go on display at a dedicated exhibition at the Sir John Soane’s Museum in London until February 2021. The category winners will each receive a delegate pass to the World Architecture Festival in Lisbon, 2-4 December 2020 and will be invited to participate in an event on the Festival Stage.
Louise Stewart, curator at Sir John Soane’s Museum, adds: “Sir John Soane’s Museum is delighted to host the fourth annual exhibition of works from the Architecture Drawing Prize. The prize highlights the ways in which drawing remains central to architectural practice and is a key driver in the creative process. With its range of digital, hand-drawn and hybrid works, the exhibition will offer a powerful insight to the discipline of architectural drawing today.”
60% percent of the shortlisted entries for 2019 were submitted by entrants who were aged under 30 years old or a student. To encourage this trend into 2020, the organisers will offer a new reduced rate of £24 for all entries by students and those under 30, using the code UNDER30.
Ken Shuttleworth founder of Make Architects, comments: “The Architecture Drawing Prize celebrates the art of drawing and offers a special outlet during this period of social distancing, because it reminds us that drawing is a universal medium that connects us in a meaningful way.”
The third annual Architecture Drawing Prize in 2019 went to architect Anton Markus Pasing with his work entitled ‘City in a box: paradox memories’. Judges commended him for ‘the level of depth, the confidence in composition, the pure symmetry and strong perspective’ which ‘emphasised the simplicity of the notion of the box’. The winner of the second annual Architecture Drawing Prize in 2018 went to Li Han, one of the founding partners of Drawing Architecture Studio in Beijing, for his work entitled ‘The Samsara of Building No. 42 on Dirty Street’. Li Han was praised for challenging preconceptions of digital presentation, creating a modern day Archigram drawing but also a step into the future.
A Hall for Hull with ‘Trois Points de Vue’ – a joint commission from The Royal Institute of British Architects (RIBA) and Hull UK City of Culture 2017 – was officially unveiled to the public on the evening of Monday 2nd October. The monumental temporary installation has transformed Trinity Square with sixteen galvanized steel columns arranged in a grid formation in front of Hull Minster to form a new ‘outdoor room’ for the city.
Chile-based architects Pezo von Ellrichshausen have collaborated with Swiss artist Felice Varini to create the ambitious structure, which responds to the historic heart of Hull and will remain in place until 11 November 2017. It has been commissioned to encourage local people to see their city in new and memorable ways and to become a focal point for national and international tourists.
The installation provides visitors with a range of different vistas of the square and experiences as they enter each of the six-metre-high columns, which are open to the sky. Perforations across the columns’ frosted-like steel skin create a delicate interplay of light and shadow across the interiors of each inhabited space. Visual and physical contradictions merge as visitors first encounter a series of imposing, static steel columns from a distance, but as they move closer, the perforations create as feeling of lightness.
The playful optical illusions continue with the artwork applied by international acclaimed artist Felice Varini. Through his practice of op-art, Varini has created three hand-drawn, delicate artworks across the columns that distort and redefine the otherwise rigid geometry of their solid arrangement, challenging perceptions of perspective and scale in this particular public setting. Each artwork aligns from a different viewpoint across Trinity Square, encouraging visitors to meander through the columns, leaving the view of the central axis of the church’s nave untouched.
Although both Pezo von Ellrichshausen and Felice Varini have previously exhibited in London, this is the first time they have developed an artwork jointly. The practice of Pezo von Ellrichshausen that oscillates between art and architecture, embedded in land-art and often located in rural conditions, forms a complementary relationship with Varini’s op-art practice with the majority of his artworks situated within and upon the urban fabric. This combination here serves to redefine and activate multiple perspectives of a historically-charged public square through a series of experiences as visitors walk around the installation.
Architects Mauricio Pezo & Sofia von Ellrichshausen said: “This installation forms a temporary hypostyle room without a roof, with massive but almost immaterial columns barely open to the sky and to the immediate surroundings. The empty stone-paved square is challenged by the size and disposition of a regular open grid and each column (two metres wide and six metres high) is in fact an inhabitable room with a single entrance pointed to a different direction. The silent vibration of glimmering lights and shadows, together with the very indifference of the grid, is altered by three delicate motives drawn in the air by Swiss artist Felice Varini, which can only be seen towards precise vanishing points.”
Marie Bak Mortensen, RIBA Head of Exhibitions, said: “Pezo von Ellrichshausen and Felice Varini have developed an exceptional proposal; one where Varini’s abstracted art applied to architectural space aligns with Pezo von Ellrichshausen’s practice of monumental architecture – carefully considered to the scale of Hull Minster and its surrounding square. A Hall for Hull effortlessly fulfils the commission’s aim to push the boundaries of how we observe art, architecture and public spaces and to facilitate unique experiences for residents and newcomers to the city. I look forward to seeing this installation unfold in-situ as RIBA takes its programme outside its dedicated gallery spaces in London and Liverpool.”
Sam Hunt, Executive Producer, Hull 2017, said: “The Hull 2017 Look Up programme is about making people see and experience this amazing city in new and exciting ways. A Hall for Hull certainly does that, opening up fresh vistas across Trinity Square. It is helping kick off our fourth season and we hope that it will encourage even more people, both residents and visitors, to head to this key destination in the heart of the city.”
The Vicar of Hull Minster, the Rev Canon Dr Neal Barnes, said: “This striking, interactive art installation, which is already getting people talking, will be a very different sight and experience and is sure to bring thousands of visitors into the heart of the Old Town. We’re certainly looking forward to welcoming visitors drawn by this spectacular installation through the doors of the Minster to enjoy more magnificent sights and see the exciting transformation taking place under our development project. A Hall for Hull illustrates the opportunities presented by the creation of a stunning, uninterrupted public space in Trinity Square, reuniting the church and the city. Trinity Square is now the perfect place for a work of this scale which promotes Hull as an ambitious, creative city, emboldened by City of Culture.”
The project, supported by the British Council, has been developed through an invited competition for an architectural and artistic collaboration, with a brief to create a temporary intervention designed specifically for the square. Hull 2017 and RIBA have been working closely with Hull Minster to develop the project, which is helping launch the fourth season of Hull’s City of Culture year, entitled ‘Tell the World’.
Pezo von Ellrichshausen and Felice Varini were chosen from a pool of eighteen outstanding, emerging and established architects practising in the UK and internationally. Trinity Square has benefited from Hull City Council’s £25 million public realm improvements programme. This latest transformation builds on the drive to bring new life to this historic part of the city.
A Hall for Hull is sponsored by Hull-based Wedge Galvanizing Group, and is part of Look Up’, a Hull 2017 curated programme of temporary installations in public places and spaces around the city.
Boston City Hall
WHERE: Boston, Massachusetts
COUNTRY: North America
The Pompidou Centre
WHERE: Beaubourg, Paris
WHEN: October 2013